Erasmus Knowledge Centre for Film, Heritage and Tourism

Motivation, satisfaction and loyalty in the case of a film festival: differences between local and non-local participants

Báez-Montenegro, A., & Devesa-Fernández, M. (2017). Motivation, satisfaction and loyalty in the case of a film festival: differences between local and non-local participants. Journal of Cultural Economics, 41, 173-195.
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Film tourism event longevity: Lost in Mayberry

Benjamin, S., Schneider, P. P., & Alderman, D. H. (2012). Film tourism event longevity: Lost in Mayberry. Tourism Review International, 16(2), 139-150.
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Variations on a Theme Park: The New American City and the End of Public Space

Caldeira, T. (1994). Variations on a Theme Park: The New American City and the End of Public Space.
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The theme park: global industry and cultural form

Davis, S. G. (1996). The theme park: global industry and cultural form. Media, Culture & Society, 18(3), 399-422.
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The Venice International Film Festival and the city: building a cultural tourist destination by juxtaposition

Favero, G., & Moretti, A. (2017). The Venice International Film Festival and the city: building a cultural tourist destination by juxtaposition. In Cities and Creativity from the Renaissance to the Present (pp. 216-236). Routledge.
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“Like Walking into a Movie”: Intermedial Relations between Theme Parks and Movies

Freitag, F. (2017). “Like Walking into a Movie”: Intermedial Relations between Theme Parks and Movies. The Journal of Popular Culture, 50(4), 704-722.
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Projecting an image: Film-induced festivals in the American west

Frost, W. (2008). Projecting an image: Film-induced festivals in the American west. Event Management, 12(2), 95-103.
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Touring TV Soap Operas: Genre in Film Tourism Research

Kim, Sangkyun, and Philip Long. “Touring TV Soap Operas: Genre in Film Tourism Research.” Tourist Studies, vol. 12, no. 2, May 2009, pp. 173–85. Sage Publications.
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Opportunities for the Development of Film Tourism in Kraków

Kolasińska, Anna. “Opportunities for the Development of Film Tourism in Kraków.” Studies of the Industrial Geography Commission of the Polish Geographical Society, vol. 34, no. 3, The Pedagogical University of Cracow/Uniwersytet Pedagogiczny w Krakowie, Sept. 2020, pp. 53–66.
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The Cannes film festival as transnational space

Mazdon, L. (2006). The Cannes film festival as transnational space. Post Script, 25(2), 19-30.
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How nostalgic animations bring tourists to theme parks: The case of Hayao Miyazaki's works

Oh, J. E., & Kim, K. J. (2020). How nostalgic animations bring tourists' to theme parks: The case of Hayao Miyazaki's works. Journal of Hospitality and Tourism Management, 45, 464-469.
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Fusing fact and fiction: Placemaking through film tours in Edinburgh

Schiavone, R., & Reijnders, S. (2022). Fusing fact and fiction: Placemaking through film tours in Edinburgh. European Journal of Cultural Studies, 25(2), 723-739.
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Immersion, Authenticity and the Theme Park as Social Space: Experiencing the Wizarding World of Harry Potter

Waysdorf, Abby, and Stijn Reijnders. “Immersion, Authenticity and the Theme Park as Social Space: Experiencing the Wizarding World of Harry Potter.” International Journal of Cultural Studies, vol. 21, no. 2, SAGE Publications, Nov. 2016, pp. 173–88.
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